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DEBORAH TILBY . . . back in the studio again!


I love Deborah's work . . . loose, impressionistic, fresh and painterly; her beautiful compositions and painterly style hit every mark in with respect to building  paintings in the high impressionist style. This is an oil workshop - a weekend of discovery and sharing of Deborah's extensive knowledge and experience. A little about the artist in Deborah's own words . . . 

 

I am a representational painter who works both in the studio and in the field.  Most often I am attracted first by the light and shadows which I want to capture in a simple and painterly manner, and then by textures and detail; my struggle is to find a balance between the two. It is something I am always working towards, always seeking to 'loosen up' yet still capture some of the detail that interests me. Although each painting, each subject, asks for its own approach and treatment.  
I was eighteen when I did my first painting, a watercolour, and I was hooked.  Watercolour captivated me for the next 25 years.  I lived in England for part of that time and was passionate about painting European street scenes,  attracted by the textures and subtle colours of old stone and brick and the narrow streets offering interesting perspectives.
I now live on the west coast of British Columbia and have been working in oil for many years, still painting buildings and streets but also exploring the local landscape and getting out to the many beaches, finding inspiration in boats, marinas and the sea. I am passionate about my work; I truly love it and paint every day.  Painting is a challenge, but always fascinating and deeply fulfilling.

MAKING A GOOD PAINTING  So many elements go into making a good painting and in this workshop we will cover as many as time permits, including composition, value sketches, black and white studies and blocking in with full colour.

We will pay particular attention to making a good beginning. The initial block in can have an enormous effect on the progress of that painting; it can flow relatively smoothly or be a struggle all the way through. I will demonstrate several ways to tackle that initial block in.




To reserve an easel in this workshop, please call the studio at 604-250-5562 or email by hitting the contact button on the main page. . . . Saturday the 2nd and Sunday the 3rd of March, 10am until 4.30pm. cost . . .$250 including taxes